![]() ![]() Other than the fact that it is easier to build a 2 way, than a 3 way, and get it right. I've read thousands of opinions about 2 ways, or 3 ways (or more) on this site for more than a decade, and there just never seems to be a consensus. Just out of curiosity, what is your intended use? Primarily music, or home theater? I'd imagine a 4KHz crossover to the tweeter horn would be doable. This is on one of those funky little horns. The tweeter could be moved back towards the midhorn driver plane to improve blend and time response. There should be suitable inexpensive tweeters or get a small compression driver and horn.to make one. It would be good to have a sizable midhorn and have it mounted on a good size baffle to damp ringing and support the wavefront. (just the horn)Ī low price 3-way build should be pretty good. Ask them if there are any cheap midhorn solutioins for La Scala. ![]() Hopefully there will be some help at the Klipsch Technical/Modifications forum. It would be good to brace La Scala's mouth as the "flapping" of those sides introduces some modulation effects. (I've run K55V and University SAHF drivers on 511 as a midhorn and that sounded fine.) I used 2220H in the early 1990s in my K-horns and it was a tradeoff I migh not want with La Scala and its short path.Īs a traditional 3-way - sometimes Altec 511 can be found cheap - I think the inexpensive (~$35) D270Ph PRV horn driver with screw-bolt on adapter would probably make an acceptable midhorn. JBL 2220 would give up alot of bass below cutoff vs K33. ![]()
0 Comments
Leave a Reply. |